FirstLight Workshop

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Winter Light on the Chesapeake slideshows & Olympus OM-D Preview

FirstLight  “Winter Light on the Chesapeake” Workshops enjoyed great weather for both weekends.  Well, we did have a “bit” of rain on one day, but everyone persevered and great work was accomplished.

Here are both presentations of the work produced during the respective workshops;

January 19 – 22

January 26 – 29

   New Micro Four-Thirds Camera

&
How This is the Future

 

                  Olympus just announced the release of the new OM-D camera.  This Micro Four Thirds (MFT) is based on the retro-look of the OM series of SLR cameras.  I wasn’t a user of Olympus cameras when the OM series was around, but the form factor was always appealing.  A smaller footprint along with great design and awesome optics was very appealing.
            I’ve been an Olympus Visionary since 2003, and a large part of my decision to go with them was their design philosophy.  This is built around the idea that smaller is the design of the future.  Olympus introduced the Pen series a few years ago, also based on a retro design of the Olympus Pen half-frame cameras.  These have been a big success for Olympus and have driven the market to respond to their industry-leading design philosophy.  I’ve been preaching the advantage of this system, especially for the travel photographer, as everyone is tired of carrying huge cameras and lenses.  Not only the exhaustion factor, but also a smaller camera allows the photographer to be less intrusive.  This accomplishes a couple of things:  smaller means lighter which makes it much more conducive to carrying the equipment. so you have that high-quality equipment when the moment avails itself to you.  And the reality of today’s world, it’s safer not lugging around a big camera..which in many countries equates the photographer to wealth.
            Camera companies find one of their largest competitors, especially in the consumer camera market to be smart phones. These ubiquitous devices are always close to or “onboard” the carrier (aka “human”.)   I think there is a style of photography that is driven by these cameras, one that may result in simpler and less engaging images.  When the image-maker has to hold the capture device at arms length it minimizes that ability to carefully construct and compose the image.  When we hold a camera to our eye, that viewfinder becomes our world.  That photographer is able to move left or right, up or down accordingly.  These often-subtle changes in perspective & composition are accomplished because we can see every visual nuance in the frame.  When that cell phone camera is at arms-length, it’s more difficult to carefully observe that visual “dance” that’s occurring in the viewfinder.  The result is a LOT of snapshots being made available via Facebook and other image sharing sites.
            Millions of images are uploaded to Facebook and other sites daily.  The result is even less time spent on a single image as studies have shown that we give less than a half-second of attention to an image, whether on a website or in a magazine.  The job of the photographer is to capture/create a compelling moment that engages, informs and stops the viewer, pulling them into that world of the photo.
             This provides the platform for the perfect question: don’t we want our viewers to spend time on our photos, our moments?  By producing a smaller and easily cartable camera such as the Pen series, that technology is provided that has a much great potential for creating a real photograph, versus a snapshot.  Snapshots speak to only those in the frame; a photograph speaks to a far greater audience.
            With the releases of Olympus’ OM-D Micro Four Thirds camera, the bar has been set even higher as equipment for the high-end photographer.  That weather-resistant, 16MP camera along with a series of real-world lenses, ranging from an 18-36mm (35mm equivalent) all the way out to a 600mm provides the working photographer an arsenal of equipment to get the job done.  I’ve been using the 12mm f2, which is a tremendous lens.   Fast, small and with a mechanical focus barrel override, this has become my newest go-to lens.

 

 Olympus is also releasing a 75mm 1.8 and a 60mm macro, as seen above.  Voigtlander announced a new 17.5mm f.95 lens for the MFT system.  All these incredible new, upcoming lenses confirms this systems’ place in the pro world of photography.

            I’ll be heading out on a National Geographic Expedition up the west coast of Africa in the near future, and I’ll be posting a blog from there.   I intend to shoot the entire trip on Micro Four Third cameras, so keep an eye out for that blog announcement.


First post from “Winter Light on the Chesapeake” Workshop

Good day, I’m now in Cambridge, Maryland for our two, back-to-back FirstLight “Winter Light on the Chesapeake” Workshops.  My co-instructor and good friend, Dave Harp, and I spent the day driving through the area in and around the Blackwater National Wildlife Refuge.  This is the heart of the area in which we’ll be photographing during the workshops.

Marshes, estuaries, grasses. Wildlife and beautiful winter light should make for a great workshop experience for everyone.  I’ve posted a few images I shot today as Dave and I drove through the area.  Come back to the site, we’ll be posting pictures on a regular basis..wish you were here!!

Bald eagles in the Blackwater Refuge

I’m shooting this workshop almost exclusively with the Olympus Pen cameras-all the photos on this page were shot with the Pens.  My lenses range from a 9-18mm (18-36mm length in 35mm equivalent) to a 75-300mm (150-600mm equivalent) Incredible portability, high quality and awide selection of lenses makes this my “go to” system more and more often.

If you haven’t had the opportunity to check out “The Photo Society”, I strongly urge you to visit this website.   It’s one place you can see the work of National Geographic photographers, built by NG photographers…it’s well worth your time.

A last bit of news: I’m finally updating my website, this is a complete makeover, and we’re really excited to hear your reaction once it’s launched.  I’ll be Tweeting and FB’ing that notice in the very near future..love to hear your response!

 

Edges of Blackwater

Morning over the Blackwater Refuge

Snow geese taking flight above the Blackwater Refuge

Old home adjacent to Refuge



Absaroka Ranch, Winter Light on the Chesapeake and the National Geographic Traveler Seminar

         Start planning now for our July 1-7 “FirstLight Absaroka Ranch Workshop.”  We’ll be photographing cowboys in action, driving horses, roping, saddling up, and portrait sessions in the incredible environment of the Wind River Valley.  Always a highlight, we’ll also be photographing the Dubois Rodeo.

          We have a couple of positions left in our “Winter Light on the Chesapeake” Workshop, January 26 – 29  click here for more information about this wonderful, three-day workshop on the Eastern Shore of Maryland.

          On Sunday, December 4, I spoke at the National Geographic Traveler Seminar in Washington, DC.  With over  325 people attending, it was a sellout in the Grosvenor Auditorium at the Geographic.  As part of the Traveler Seminar series, this was the 5th city in 2011 A great audience with a lot of great questions.

          Entitled “The Versatile Travel Photographer”, the seminar centered around the process of photography “on the road.”   With almost everyone carrying a smart/cell-phone camera these days, a segment of the talk had to do with the downsizing of travel cameras.  This smaller footprint makes it much more conducive to carry the equipment with access to a wide range of lenses, which the cell phone cameras don’t provide.

          I’ll be working with the National Geographic Traveler Seminars in 2012, with presentations in Houston on March 4, Los Angeles on March 11, and Minneapolis on March 18.  Click here to be taken to the NG Traveler Seminar websitefor more info.

          In our recent FirstLight Aeolian Islands workshop in Italy, I shot almost the entire event with the Olympus Pen cameras.  With lenses ranging from a 18mm all the way out to a 600mm equivalent, I never felt “shorted” by my lens group.  Plus, the ability to carry all this gear in one small bag was very satisfying.  (A common complaint I hear from almost all photographers in the travel world regards the heavy weight and large size of today’s DSLR’s, many photographers reluctant to carry that weight for hours on end)  I’ve found that I don’t mind carrying a Pen E-P3 and an E-PL3 or E-PM1 for the day.  On those bodies, I’ll have mounted a 9-18mm lens and a 14-150mm.  This range pretty much allows coverage of anything I’m shooting, unless specifically wildlife or sports.  Late afternoon, I’ll switch the 9-18mm to the 12mm f2, providing that extra lens speed for low light photography.

E-P3, 12mm f2

E-PM1 , 9-18mm

          Image quality is quite high on these cameras, allowing reproduction quality imagery from the micro 4/3rd’s sensor.  Are there things the full-bore DSLR will do that these cameras won’t?  Of course, as the old saw goes, “there’s no free lunch.”  But I’ve found that for 90%+ of my travel photography needs are handled by this equipment, and I’d rather have one of these on my shoulder when coming upon that photographic opportunity than only my iPhone camera.

 



FLW Aeolian Islands slideshows

Here are the two presentations from the FLW Aeolian Island workshops.

 



Aeolian Islands final selection

It’s a wrap!  FirstLight Aeolian Islands Workshops have finished, a cool & rainy Saturday on the island of Lipari followed by our closing dinner.

Both workshops offered a lot of photographic opportunities and I think our students used those opportunities to full value.  Below you’ll find a representative photo from each and I really think they capture an essence of what this place is about.

Enjoy the work and we appreciate your having visited the Aeolian Islands Workshop blog!

Winter Light on the Chesapeake will be our next workshop, which will offer great photographic possibilities.  Information on that workshop can be found on this website.

Photo by Roger Colaizzi

Photo by Deeva Garel

Photo by Libby Lush

Photo by Bruce Male

Photo by Sue Morris

Photo by Richard Sandor

Photo by Mark Silverman



FirstLight Aeolians: Week two

Late afternoon on Salina, from the terrace of the Signum Hotel Olympus E-P3 75-300mm lens

Saro, local resident of Santa Marina on Salina Olympus E-P3 9-18mm lens

Week two is well underway; it’s been a great experience for all with many incredible photographs captured.   Giorgio Cosulich, our Italian FirstLight instructor, has done a fantastic job as our Lipari-based instructor: everyone not only loved his great insight into their work; they also really enjoyed his company in the islands.    All the FirstLight students will take away great memories of this trip, they’ll also all have new and powerful additions to their photographic portfolios.

Week one, FirstLight student Steve Hudson photographing local residents of Santa Marina Olympus E-PM1 9-18mm lens

We’re wrapping up the week, I’m sitting on the veranda of the Signum Hotel looking over the islands of Panarea and Stromboli in the pre-dawn light.  These islands have been a favorite place of mine since that assignment for National Geographic in late 1990’s.

Piazza Malfa on Salina, Olympus E-P3 14-150mm lens

We’ll post a final blog soon, thanks for visiting!



FirstLight Aeolians – Photos from Week One

It’s always amazing how long these workshops take to finally arrive-then how rapidly they finish.  We are at the end of week one, everyone is back on Lipari for the final night presentation and dinner.  The slide show of student’s work was great, and we’re sharing an image from each of our attendees below. Enjoy the work and we’ll post another blog soon!

Matt Billingsley - Island of Lipari

 

David Bird - Island of Lipari

Linda Bird - Island of Lipari

Patty Bodwell - Island of Lipari

Connie Dines - Island of Salina

Brad Gilliam - Island of Vulcano

Steve Hudson - Island of Salina

Libby Lush - Island of Salina

 

 



FirstLight Aeolians Workshop

Cliffs of Pollara, Olympus E-PM1 Diorama Art Filter

Wednesday, September 28.  Half of our group is with Becky and me on the island of Salina.  There’s been a bit of rain but that has provided some wonderful light we’ve been able to use.  Working with our local expert, Libby Lush, several great photo opportunities were provided to our students.  This included a portrait session with the S. Marina police chief and an afternoon in Pollara photographing the incredible cliffs there.

Wednesday we’ve chartered a sailboat that will pick up those students on Lipari, then sail to Salina where we’ll join them heading out for a day on the water.

A few images are included below…

Cliffs of Pollara, Salina Olympus E-P3 9-18mm lens 1/125th second f7.1

Salina fisherman Olympus E-PM1 1/4000th second f2

 

 

Overview of village of Malfa on Salina Olympus Pen E-P3 12mm lens ½ second f2

 

Students photographing lunch Olympus E-P3 9-18mm lens 1/160th f6.3

Sunset on Pollara, Salina. Olympus Pen E-P3 14-150mm lens 1/500th second f11

Police chief of S. Marina in Lingua Olympus E-PM1 14-42mm lens Diorama Art Filter



FirstLight Aeolian Island Workshop in Italy begins!

Lipari, Olympus E-P3, 14-150mm lens

September 25, 2011, our students are arriving in the Aeolian Islands of Italy.   I’d photographed a book project in the Aeolians  for National Geographic, a beautiful cluster of 7 volcanic islands located directly above Sicily.  Considered the most remote one can get in Europe, getting here is an experience in it’s own right.

With our workshop attendees split between the islands of Lipari and Salina, one group will be with Giorgio Cosulich, the other group with me.  Mid week, we’ll have a sailboat pick up both groups for a day-sail of the islands.  At that point, the groups will sway, Giorgio’s group going with me, and vice-versa.

The islands are really beautiful with a unique character for each.  From the busy feel of Lipari city to the rural quiet of Salina, and a visit to the island of Vulcano, the photographic opportunities are abundant.

We’ll be posting a blog, hopefully on a daily basis, or at least every other day.

I’ve posted articles on this website and in other publications as to the Olympus Pen system.  I’m shooting with the Pens on this trip, having the luxury of using the just released E-P3.  I love the idea of minimizing what I carry so the assignment and subject become the focus of my intent.  My bag weighed a fraction of what my normal travel gear weighs, and the quality of the images is extremely high.

I’ve posted camera and exposure info under each of the photos, will post the next group soon

Jay

Vulcano mud baths, Olympus E-P3, 9-18mm lens

 

Vulcano, Olympus EP-3, 9-18mm lens

 

 

 

 

 

 

 

 

 

 

 

 

 

Vulcano, Olympus Pen E-P3, 9-18mm lens

Lipari during fish festival in Marina Corta



National Geographic Expeditions: Alaska’s Inside Passage

In Tracy Arm, a bald eagle (Haliaeetus leucocephalus) prepares to lift off

National Geographic Expeditions:  Alaska’s Inside Passage

Although I’ve worked, cumulatively, for many months in Alaska, I still do not fully know the state; the scale of the territory is pretty much beyond my comprehension.  It’s a series of superlatives ranging from the wildlife to the landscape to the people, all of which make it one of my most favorite destinations.

With much excitement I recently headed out for two, back-to-back National Geographic Expeditions to Alaska’s Inside Passage.  Over a thousand miles in length, this waterway parallels the western coast of North America, mostly protected from the Pacific Ocean by over 1500 islands.  I’ve been in the Passage several times: a story for American Way Magazine aboard a small cruise ship, (American Airlines in-flight magazine-thanks to an assignment from the editor, John Ostdick!); trips on the Alaska Marine Ferry from Bellingham to Haines/Skagway (while working for National Geographic magazine); and a number of flights over the Passage on various other stories. 

National Geographic has two ships that regularly travel the Inside Passage:  the Sea Bird and the Sea Lion. These are smaller boats, both carrying about 60 guests, and I was aboard the Sea Bird.  These smaller ships allow a much more intimate experience for the traveler/photographer, as the ship can get into locations that a larger ship couldn’t fit.  Also, the smaller groups allow more time photographing and assimilating the ambience of this incredible place.

The first of the two Inside Passage trips was a Photographic Expedition, so there were a high percentage of photographers aboard as we left Sitka on the ship’s first Alaskan trip of the season.   These trips start in either Sitka or Juneau, with the following trip reversing the just finished Expedition.  Departing Sitka had us working our way towards Lake Eva, the Inian Islands, Elfin Cove and George Island. Glacier Bay National Park was next on our schedule and the immensity of this park is staggering.  A 60+-mile trip, all within the Park, took us to our northernmost destination, Margerie and Grand Pacific Glaciers.

Days 4 and 5 took us to Iyoukeen Cove, Basket Bay, LeConte Bay and the Alaskan town of Petersburg.  Then, we finished trip in Tracy Arm, always on the lookout for whales- and we were not disappointed because they were in abundance.  Bears were also just coming out of hibernation, feeding along the water’s edge.

Finishing in Juneau, we took on the next group of travelers that also included another pod of photographers.  This was a great way to do the trip, as revisiting several areas allowed me to be “prepared” for those photographic situations.  Hope you enjoy the images; I’ve attached information as to what equipment was used.

** If you want a good overview of Alaska and her characters, read John McPhee’s Coming into the Country.


Tracy Arm, a bald eagle takes flight

Steller Sea Lion enjoying a lunch of flounder, Inian Islands